Apply The Feminist Theory To The Movie Rear Window

Andrew Raphaelson Art 138 Prof.

Apply the feminist theory to the movie rear window. Set design The set is designed to give you an easy map to follow of their surroundings. They exist only to please the perverted men they love. The acclaimed directors portrayal of women violated every feminist stance possible. Alfred Hitchcocks 1954 thriller Rear Window encapsulates his masterful use of controlling information to create deep-seated suspense in the audience.

Themes of voyeuristic ethics feminism and the dynamics of community living are examined. In her essay Mulvey focuses largely on Hithcocks Rear Window and understandably so. As a result the human obtains. Rear Window 1940 Negation of womans view.

Rear Window Google books link from The Women Who Knew Too Much. Hitchcock directed the movie to exclusively show the male gaze. Jefferies a photographer bound to a wheelchair in his apartment as his broken leg heals. It explores the fascination with looking and the attraction of that which is being looked at Generally Beltons book.

Rear Window is a 1954 American mystery thriller film directed by Alfred Hitchcock and written by John Michael Hayes based on Cornell Woolrichs 1942 short story It Had to Be Murder. Apply knowledge of literary theory by explaining how these elements shape textual meaning. Hitchcock and Feminist Theory Amazon. Rear Window 1954 and Rope 1948.

According to Mulvey both Rear Window 1954 and Vertigo 1958 are films cut to the measure of male desire - tailored that is to the fears and fantasies of the male spectator who because of the threat of castration posed by the womans. Observing the first scene instead of beholding the main character or even side characters recognizing the building of the various apartments and the courtyard and finally Jeff is presented. Hellmann English 578 22 August 2012. Books of all genres.

Overall in the film Rear Window Hitchcock has utilized costumes in order to construct a highly entertaining and complex film. Rear Window has a unique filmography. It helped pinpoint some recurring elements about men and women and how they interact together. 140 223 Rear Window.

For all intents and purposes Rear Window is a film about voyeurism so it makes sense that Hitchcocks approach to the film would be to force audiences to become voyeursAnd there are a lot of cinematic elements at play in Rear Window that help put audiences into the role. The film Rear Window produced by Alfred Hitchcock in 1954 is not an exception. In the movie Rear Window by Alfred Hitchcock there is a distinct view of the world and how in the directors opinion men and women fit in. Feminism and Psychoanalysis in Rear Window 123 The two-eyed vision has a third dimension meaning space depth.

Here the human eyes place a certain item in space and their optical axes achieves the angle of convergence. He was able to inspire not only mass audience approval but also create a sophisticated story line that deals with everything from basic human instinct to basic feminist theory. Rear Window and Post-War Gender Dynamics. Mulvey argues that female main character Lisa Fremont is constantly asked to be looked at through Hitchcocks close-ups and choice of costumes.

The women in Rear Window are obsessed with marriage and how they are viewed by men. They enjoy being victims of violence and abuse. With the advancements in film throughout the years feminist film theory has developed and changed to analyse the current ways of film and also go back to analyse films past. Screening Day 1.

The tense narrative along with a limited space set design and the photography by Robert Burks make this what is thought to be one of the best films from the English director. 222 Applying Film Terms to Rear Window. In this movie we gain insight into the point of view of a hidden spectator and the physical space around him. Rear Window 1054 Words 5 Pages.

Many critics have taken a feminist approach to Alfred Hitchcocks Rear Window but all have done so through the lens of patriarchySuch an approach however does not fully encapsulate the complexities of either the picture or its characters. The Limited Perspective of the Voyeur. The opening of the angles depends if the item is situated near or far. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States.

Rear Window is so involved with the idea of the gaze that it is essentially a film about the gaze. Identifying as a feminist it seems is really quite different from having a working familiarity with feminist film theory. Elements Of Feminism In Rear Window By Alfred Hitchcock 853 Words 4 Pages. He quotes Rear Windows story is about spectacle.

Friedberg 112512 Rear Window Alfred Hitchcocks Rear Window is a demonstration of the world created for us by viewing a film or real life situation. Originally released by Paramount Pictures the film stars James Stewart Grace Kelly Wendell Corey Thelma Ritter and Raymond BurrIt was screened at the 1954 Venice Film Festival. Movie Analysis People were always interested in interpreting written stories for the big screen. Hitchcock depicts the themes of Rear Window through cinematography and set.

I found myself fascinated by all the new analysis I encountered in Tania Modeleskis excerpt The Masters Dollhouse. Hitchcocks Rear Window 1954. The paper explores the evolution of various gender issues theories and also several aspects of gender and feminism theory by analyzing three movies by Alfred Hitchcocks film Virgito 1958 Rear Window 1954 and Rope 1948. In his book Alfred Hitchcocks Rear Window John Belton addresses the underlying issues of voyeurism scopophilia patriarchy and feminism that are evident in the film.

In this movie the message Hitchcock is applying to men is that application. Feminist Criticism focuses on relationships between genders. Comedies detective stories romance novels and thrillers often appear before the public as movies.

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